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Product Details
- Amazon Sales Rank: #9667 in Camera & Photo
- Brand: Sony
- Model: DSCR1
- Original language:
English - Dimensions: 5.50" h x
6.10" w x
3.80" l,
2.20 pounds
- Display size: 2
Features
- 10.3-megapixel CCD captures enough detail for photo-quality 18 x 24-inch prints
- 5x optical zoom; 2.0-inch vari-angle LCD display
- Live preview using Sony's Complementary Metal Oxide Semiconductor (CMOS) technology
- Three color modes and RAW capture
- Records images on Memory Stick PRO and Compact Flash Type 1/II media; powered by one NP-FM50 InfoLithium battery
- 10.3-megapixel CCD captures enough detail for photo-quality 18 x 24-inch prints
- 5x optical zoom; 2.0-inch vari-angle LCD display
- Live preview using Sony's Complementary Metal Oxide Semiconductor (CMOS) technology
- Three color modes and RAW capture
- Records images on Memory Stick PRO and Compact Flash Type 1/II media; powered by one NP-FM50 InfoLithium battery
Product Description
The bigger the imager, the better the image. That's why the Sony Cyber-shot DSC-R1 incorporates an APS-class image sensor more than 12 times the size of the typical sensor. You'll get high sensitivity, low noise and a phenomenal 10.3 Megapixels of resolution. This is the world's first camera to combine an APS-class sensor with Live Preview of the scene, so you can compose your shot with full framing, exposure and white balance accuracy. The DSC-R1 incorporates a pro-quality Carl Zeiss Vario-Sonnar 5X Optical zoom lens with T* (T-star) coatings. With its 24mm wide end (35mm equivalent) you can shoot wide angles that typical digital cameras just can't match, while maintaining plenty of telephoto reach. The Free-Angle 2.0" LCD monitor1 lets you shoot from waist height, over your head or even floor level. Adjust your exposure with 16-step aperture and 49-step shutter speed.. Get more punch from your pictures with our Advanced Gradation Control System. Achieve more expressive color with Sony's Vivid RGB mode. And take your pictures to a new level of professionalism with Sony's new Image Data Converter SR software for RAW image conversion.
Customer Reviews
Most helpful customer reviews
149 of 151 people found the following review helpful.An unfair comparison (my other camera is a Hasselblad 501c)
By Donal B. Botkin
Many other users and serious reviewers have provided sufficient background on Sony's "top of the line" digital DSC-R1, so I'll steer clear of needless repetition and get right to my point: this is not just a great digital camera, it's a great camera by any standard. {credibility break, sorry} My background? 2,500 pictures in the R1, about the same in a Minolta A1 and another 3,000 or so in an older Sony (I forgot the model--it had a rotating lens) that spent 5 years on a boat with me in the South Pacific. Before that, over 40 years of serious photography with everything from pinhole cameras to the Hassey.Here's the bottom line: the R1 is about the size of the 501c but less than half the weight with just the 'standard' lens. If I include all the extra lenses (I use a wide-angle and a moderate tele) plus the spare backs and film, the bag tips the scales at over 25lbs. Are the pictures as good? (trick question) Technically, no; there will be no razor sharp poster-sized prints from the R1. The truth is that many of the really great shots with the Hassey are still in my head: too much fussing with lenses, changing film, worrying about exposure and poof! The shot is gone. Of the thousands of digital images I've captured, there are many that would match the best from the medium format in terms of qualities that matter to me.What's the best feature of the R1? Coming from the 501c, I really like the top-mounted LCD! It is much easier to use than even a tilting, back-mounted LCD (like the Minolta A1), particularly for candid shots. Plus when it's vertical, it's like a "sports" finder in that you can easily see both what's in the picture and what's not. Second best is the lens: I checked the Carl Zeiss site for info on their lens designs to compare to the 501c, but they haven't posted the specifics of the Vario-Sonnar in the R1. There are a few very good testing-oriented site on the `net that have uniformly lauded the lens design. As might be imagined, (or maybe not, judging from some uninformed whining about "features" elsewhere) designing and building lenses is not easy. To get a zoom lens that goes from 24mm to 120mm with a flat field and good color performance is nearly impossible, hence the almost unnoticeable barrel distortion at the wide end.My third favorite feature is the CMOS sensor: it truly makes a difference in the quality of the mega-pixels not just the fact that there are over 10 million of them.What's not to like? Well, several users have commented on the lack of interchangeable lenses, true, but to what end? To get a higher quality lens? Not likely. A larger aperture? Yes, you can, but not in a zoom. To get a really long telephoto or mirror lens? The only valid complaint, IMHO. So, there is the option of the 1.7 tele-extender that get's you something between 200mm and 400mm depending on how aggressively you manage the digital smart zoom feature. (Don't even think of complaining about the "extra" lens! This is about the lack of replacement lenses, remember.) I have one on order, so I'll save my comments for later.There has been a lot of carping about the "noise" at high ISO (1600 and above) and it is true: if you try to hand-hold when you should use a tripod and fudge the ISO to overcome the shake, you will get noise. Mount your R1 on a tripod and shoot at 160 and the problem goes away because the built-in noise reduction kicks in. Even is you must shoot at higher speeds, using a tripod and setting exposure to take advantage of the noise-reduction program will make a big difference, from my informal testing. Photography is all about working with limitations, so consider it an advantage to own such an imperfect camera!The only thing that I've found less than desirable is a compression of dynamic range when shooting Adobe RGB. It shows up as a right-skewed histogram, but post-processing in Aperture fixes it. The image is "muddy" but clears when the white slider is moved to the left in setting luminance. This could be due to several factors, so I'll do some testing and report back.My summary is that this camera will not make you a better photographer, but taking lots of pictures and not showing the bad ones will help, and believe me, you will be able to take them with greater ease and enjoyment with the Sony DSC-R1 than with anything else on the market for the same price. If your excuse for not taking pictures is that there is either too much equipment or not enough, this one my dear Goldilocks, is "just right".
97 of 100 people found the following review helpful.First Glance from an Early Adopter
By Chris Rutkowski
Got my Sony R1 just yesterday - ordered from Ritz on Tuesday and had it 48 hours later. Spent 6 hours "playing" with it and making a few test shots. Overall: love It - hence 5 stars.The downside: oh how I wish the EVF provided about 5 times the resolution so that critical focusing (manual) was possible. And I could live without its herky-jerky display. But that pretty well wraps up what I don't like!The few natural light indoor test pictures I made were beautiful; at ASA 400 (which I used used for this limited micro-test) resolution and color rendition were superb. Think I'm going to love this sharp, fast lens. That extra few mm at the wide angle end of the range means a lot too; "big sky", "indoor" and "close groups" will be a LOT easier to manage - and the 10MP image will take advantage of it by holding detail (those who say "MP doesn't matter" haven't thought it all the way through - as the angles grow wider it means a LOT).Camera handling is great. Feels like a good SLR. This is certainly no heavier or bulky than my old Canon F1 - lighter in fact. The R1 exudes quality. Just plain feels good in the hand.The controls and settings were mostly simple to figure out. What took me longest to discover was how to access playback mode - the button is unlabeled - actually had to look on the little "read me first" cheatsheet included in the box : -) Otherwise, I found myself able to "sync" with the designer's logic quite easily - everything I need for creative control is right there. I'm quite sure that with just a little practice, things like manual bracketing, selecting ISO, shutter speed etc. will be very fast in the field - I don't forsee much fumbling. Big plus!I especially like the external LCD viewfinder. With the screen lying flat on top the camera becomes reminiscent of a medium format camera like a Yashica 2-1/4 or a mini RB67. I LIKE those machines and the R1 fills that part of my "does it all" wish list better than I expected. The R1 is even quite usable when held straight overhead by the simple expedient of holding it upside down. Not as easy to manipulate setting controls in this position of course, but that's both understandable and quite acceptable.Shooting response speed was fine. Apparrently it's not able to take extended bursts of shots at several frames per second - bang, bang, bang, bang.... but I couldn't care less. I don't do that kind of photography. Guess it would be an issue if I were into sports photography (or weddings, which are a sport of a different kind) - anywhere one wants to shoot a huge number of shots and sift through them later for the perfect shot. But that's not my cup of tea.Bottom line: the ability to feel like both a good SLR OR a medium format camera makes this, for me, a smash hit. I look forward to wringing the most out of technical capability - at least until a 20MB version with a hi-res viewfinder comes out a few years down the road.
43 of 44 people found the following review helpful.Spectacular camera
By Craig Siegman
Got my Sony DSC-R1 on Saturday, Nov. 19. I expected to order it from Amazon, but I was in the mall shopping and found that a local retailer had it for $948.88, so I bought it immediately. It took a couple of hours of play to figure out the controls. As mentioned in the review below, the toughest control to find was for playback (hint: it's the button with the blue arrow to the right of the viewfinder perfectly blended into the viewfinder's facia so it's hard to see). The value of the electronic view finder becomes evident when trying to compose a picture in tough lighting conditions. Seeing the image change in the viewfinder to reflect what will be captured as you select different points on the frame for the exposure level is immensely helpful in determining how the picture is going to look. I don't think you can do that with a DSLR. Having heavily cropped pictures and then printed them at 8x10, I could not see any pixelation. The amount of detail is astonishing. There doesn't appear to be any noise (albeit shooting at a low ISO setting), and there don't seem to be any artifacts typical of digital cameras. The printed colors, without any software manipulation, are spectacular. Overall, after two days of use I think this is a great camera. The only downside I've found is the flash seems underpowered, and the AF assist lamp is pretty lame. Sony should have stuck with their laser system. In response to Chris below, the image on the LCD can be zoomed for manual focus simply by pressing the zoom button (it looks like a magnifying glass).
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